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My Galleries and Painters

My Galleries and Painters
My Galleries and Painters My Galleries and Painters My Galleries and Painters My Galleries and Painters
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Fordító

'Francis Crémieux: My Galleries and Painters ' összes példány
Kiadó: Thames and Hudson
Kiadás helye: London
Kiadás éve:
Kötés típusa: Ragasztott papírkötés
Oldalszám: 160 oldal
Sorozatcím: The Documents of 20th-Century Art
Kötetszám:
Nyelv: Angol  
Méret: 21 cm x 15 cm
ISBN: 0-500-61003-0
Megjegyzés: Fekete-fehér fotókkal, illusztrációkkal.
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Fülszöveg

About this Book-Picasso's lifelong dealer and one of the major gallery owners of the century, Daniel-Henry Kahnweiler is a key figure in twentieth-century art. In 1907, when he opened his first gallery in Paris, Kahnweiler bought the works of Braque, Picasso, Derain and Vlaminck, then completely unknown, and by selling them to his friends, helped to establish somé of the finest collections of cubist paintings in the world. As a companion and confidant of these artists, as well as of Jüan Gris and Fernand Légér who joined him later on, Kahnweiler was one of the earliest supporters of cubism, and since that time has been one of its most effective spokesmen. He is the author of the definitive study of Jüan Gris {Jüan Gris: His Life and Work), and was alsó the first to publísh the writings of Apollinaire, Max Jacob and André Masson, among others. In these conversations with the French journalíst, Francis Crémieux, Kahnweiler-who describes the interviews as "the memoirs I may not have... Tovább

Fülszöveg

About this Book-Picasso's lifelong dealer and one of the major gallery owners of the century, Daniel-Henry Kahnweiler is a key figure in twentieth-century art. In 1907, when he opened his first gallery in Paris, Kahnweiler bought the works of Braque, Picasso, Derain and Vlaminck, then completely unknown, and by selling them to his friends, helped to establish somé of the finest collections of cubist paintings in the world. As a companion and confidant of these artists, as well as of Jüan Gris and Fernand Légér who joined him later on, Kahnweiler was one of the earliest supporters of cubism, and since that time has been one of its most effective spokesmen. He is the author of the definitive study of Jüan Gris {Jüan Gris: His Life and Work), and was alsó the first to publísh the writings of Apollinaire, Max Jacob and André Masson, among others. In these conversations with the French journalíst, Francis Crémieux, Kahnweiler-who describes the interviews as "the memoirs I may not have time to write'-discusses openly his career and his artist friends. He provides an entertaining and enlightening account of the environment in which the cubist movement was born and of the climate in which it flourished. Vissza

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